A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY
Identifieur interne : 000395 ( Main/Exploration ); précédent : 000394; suivant : 000396A COMMON EUROPEAN SONG HERITAGE IN THE NINETEENTH CENTURY SONGS OF IRELAND AND GERMANY
Auteurs : David Robb [Royaume-Uni]Source :
- Traditiones - Inštitut za slovensko narodopisje, Ljubljana [ 0352-0447 ] ; 2009.
Descripteurs français
- Pascal (Inist)
- Wicri :
- geographic : Allemagne.
- topic : Héritage, Révolution industrielle, Artisan, Analyse comparative.
English descriptors
- KwdEn :
Abstract
This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.
Affiliations:
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Ljublj.</title><idno type="ISSN">0352-0447</idno><imprint><date when="2009">2009</date></imprint></series></biblStruct></sourceDesc><seriesStmt><title level="j" type="main">Traditiones - Inštitut za slovensko narodopisje, Ljubljana</title><title level="j" type="abbreviated">Tradit. - Inšt. slov. narodop. Ljublj.</title><idno type="ISSN">0352-0447</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Antimilitarism</term><term>Century 19</term><term>Comparative analysis</term><term>Craftsman</term><term>Differences</term><term>Emigration</term><term>Europe</term><term>Famine</term><term>Germany</term><term>Heritage</term><term>Industrial Revolution</term><term>Ireland</term><term>Itinerant labour</term><term>Popular song</term><term>Revival</term><term>Revolutionary song</term></keywords><keywords scheme="Pascal" xml:lang="fr"><term>Chanson populaire</term><term>Renouveau</term><term>Chant révolutionnaire</term><term>Siècle 19</term><term>Héritage</term><term>Irlande</term><term>Allemagne</term><term>Europe</term><term>Révolution industrielle</term><term>Famine</term><term>Emigration</term><term>Antimilitarisme</term><term>Artisan</term><term>Travail itinérant</term><term>Analyse comparative</term><term>Différence</term></keywords><keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>Allemagne</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Héritage</term><term>Révolution industrielle</term><term>Artisan</term><term>Analyse comparative</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This paper deals with thematic similarities between German and Irish folk songs of the nineteenth century, particularly the period surrounding the 1848 Revolution. While clear commonalities can be seen to exist in songs about exploitative masters, hunger, emigration and army recruitment, there are differences in terms of the situation of Germany as a rapid industrialising nation wbile lreland was still rural. At the same time the plight of tbe displaced German craftsmen due to industrialisation does have echoes in the struggles of the craft trade expressed in the Irish songs. Another difference lies in the dimension of religion and national liberation in the Irish ballads, whereas the German counterparts display more of a developing class consciousness. While the German and Irish narrative styles and approaches also differ from one another, there is nonetheless evidence of a common folk language and musical heritage between the two countries, which has been affirmed by the cultural exchange between their respective folk movements since the 1970s.</div></front></TEI><affiliations><list><country><li>Royaume-Uni</li></country></list><tree><country name="Royaume-Uni"><noRegion><name sortKey="Robb, David" sort="Robb, David" uniqKey="Robb D" first="David" last="Robb">David Robb</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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